NEIL KRUG AND JONI HARBECK:
The colour scheme, the tangling bodies, the process, and the fresh glowingness of the models' skin.
I just liked the idea of this process, I'd like to figure out how it was done. I also seem to find appeal in destroyed photographs, it just seems to make looking at the image more interesting a personal.
I love the cinematic feel of this image. There were several versions of this woman sitting in the car but I felt that this was the least contrived of Krug and Harbeck's series, it's as if the woman has taken a break, let her gun droop, and is staring at something through the window. I also loved the shadow cast across the sun burned seat and the tension in her jaw.

GUIDO ARGENTINI:

I love the subject's expression, the glaring and mistrusting glare. I felt that she had been the one to ruin the binds or window in order to look out or perhaps to be seen? There is something intriguing about the ripped blinds or smashed window and her protective body language, as if if she did it then felt exposed. I also cannot stop looking at all the different textures across the composition. I like the frustration I feel that all I can see is the window I want to stretch the format of the image and see what she is looking at or where she is, I would love to create the frustration in my own images.